Literary Blog: Book Reviews, Writing Tips & More

Eight Ways Yoga Will Enhance Your Writing

3/10/2014

Guest Blog Post by Laura Rock

Eight Ways Yoga Will Enhance Your Writing

Picture the archetypal yoga instructor: serene; uncompetitive; wearing lululemon; erect posture. In short, the anti-writer. If this were a classroom exercise on character development, that’s how we’d describe her, at least initially, before moving beyond archetypes and maybe changing her gender. And our nascent “writer?” Cranky; score-keeping; unshowered; wearing sweatpants from high school, threadbare at the butt; hunched.

But this isn’t a writing exercise, so let’s relax, all together—you, me and every other slope-shouldered scribbler staring at the screen. Return to the breath. Inhale and hold for a count of eight…eight reasons a yoga practice will enhance your writing practice.

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Guest Blog Post | Nicole Hannel: "Tips for Querying an Agent"

3/1/2014

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For those who are working on a manuscript to send out to literary agencies, and those sitting with a completed work, wondering “What now?”—here are some tips about seeking representation. But first, something to note as you embark on the journey: Agents love great work, they love working with authors to see a manuscript through to publication, and they are rooting for you to succeed. They are not mean on principle. They are not rejection-happy. They’re generally nice people, and when you’re lucky enough to find the right agent, rest assured that they will do everything they can to promote your work and encourage you in your writing goals. With that, here are some do’s and don’ts:

Do:

1. Be specific. Send your work to a person, not a Whom. Within an agency, there are multiple agents who represent different stuff. Be intentional! Decide which agent you want to contact, and then address your query to them.

2. Research the agency and the agent you are querying. If you have written a script for a marvelous werewolf erotica film, but the agent you’ve contacted only represents picture books, you will be rejected. I promise, you will. Usually an agent’s preferences will be listed on their agency website or personal blog. Do your homework, and you’ll find that agent who lives for werewolf erotica.

3. Edit. Work and re-work your query letter, and read through your manuscript for the 101st time. Most agencies will request a small portion of your book along with your query, so make it as coherent and grammar-tastic as possible.

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From the Editor: How to Interpret Rejection

2/26/2014

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Like you, I submit my work to literary publications and like you I’ve received my fair share of rejection notes. The first time I sent a short story out, as an undergrad, it was a story that I was very close to and when it was rejected I felt like I was being rejected. If I knew then what I know now I would have lifted my chin, set my jaw and sent it somewhere else. Instead, I received my first form rejection letter and I was left with an unfamiliar emptiness. All of the hope that I’d been harboring after dropping my manuscript in the mail was swept away and what was left was disappointment and self-doubt.

Over the years I’ve learned to separate the work of writing fiction from the work of placing it with a journal. This is difficult for writers because the two acts are different beasts. Writing requires sensitivity and a willingness to explore difficult emotional truths. Coping with rejection demands emotional fortitude, resiliency – perhaps even stoicism. But the truth is that if you’re putting yourself into each one of your stories, essays or poems (as you should) it doesn’t matter how many times you read the words “good luck placing this elsewhere” … rejection stings.

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Guest Blog Post | Angela Palm: "Writers and Writing Centers: Building a Literary Community"

10/7/2013

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Outdoor Meeting Space at the Renegade Writers' Collective of Burlington, VT

Writing centers unaffiliated with academia are popping up all over the country. Many of these centers model themselves after the long-standing successes of Boston’s Grub Street, The Loft Literary Center in Minneapolis, Philadelphia’s Kelly Writers House, and The Center for Fiction in New York City. Typically, writing centers offer quality craft classes taught by established writers and seasoned professors, a writing series featuring a mix of readings given by well-known and emerging writers, and a variety of manuscript services, enrichment opportunities such as writing retreats, access to reference libraries, and more. Recently at the 2013 AWP conference in Boston and at the Bread Loaf Writing Conference 2013 in Ripton, Vermont, special panels were presented to people either involved in the management of a writing center or interested in starting a writing center in their city. Both presentations were so well attended that people were forced to listen from the hallway.

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Guest Blog Post | Max Vande Vaarst: "Measuring Success While Writing Slowly"

10/7/2013

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We now approach the dread month.

November can be a distressing time of year for writers like me – those afflicted by Cement Finger, Obsessive Revision Disorder, Chronic Googliosis, and other like conditions. For November, of course, serves as the main stage for NaNoWriMo, or National Novel Writing Month. As you may have guessed, NaNoWriMo is an annual, globally recognized event that challenges participants to complete 50,000 words of a novel in the span of only four weeks.

Many who undertake the NaNoWriMo challenge falter or quit their projects entirely before December 1st rolls around. Even among those who meet the 50,000 word quota, most fall short of any appreciable degree of readership or financial remuneration. Yet the very idea that each November for the past twelve years thousands of individuals across the planet have managed to place digital pen to digital paper 50,000 times in 30 days seems, to the slowest of writers, a crime of cosmic inequity.

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Guest Blog Post | Nicholas Lepre: "Five Ways to Keep a Writing Group Together"

9/30/2013

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For years, whenever I tried to start a writing group, it would evaporate after one meeting. Was it my writing? My personality? My bizarre insistence that all members have monosyllabic names?

In 2011, at the conclusion of a ten-week fiction workshop, I overheard some classmates discussing the possibility of starting a group. I am proud to say that this group is still going strong today thanks to a few guidelines.

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Guest Blog Post | Megha Nayar: "Writing Advice to Avoid"

9/26/2013

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One of the double-edged advantages of the internet is the surplus of information and advice offered up for free. While this can be of great help in fixing something as simple as a headache, free advice can often prove harmful when it comes to the creative process. There are plenty of “rules” that writers should avoid or ignore when they begin to groom their game.

With the rise of self-publishing, articles on ‘the imperatives of writing’ are everywhere. Although well-intentioned, many of the blanket generalizations offered in these pieces may derail an inexperienced writer if taken too seriously. Writing is too subjective, too nuanced to be governed by broad-stroke rules of thumb.

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Eight Ways Yoga Will Enhance Your Writing

Guest Blog Post | Nicole Hannel: "Tips for Querying an Agent"

From the Editor: How to Interpret Rejection

Guest Blog Post | Angela Palm: "Writers and Writing Centers: Building a Literary Community"

Guest Blog Post | Max Vande Vaarst: "Measuring Success While Writing Slowly"

Guest Blog Post | Nicholas Lepre: "Five Ways to Keep a Writing Group Together"

Guest Blog Post | Megha Nayar: "Writing Advice to Avoid"

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